Cara LaGreen
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  • July31st

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    To a Young Jazz Musician: Letters from the Road

    In To a Young Jazz Musician, the renowned jazz musician and Pulitzer Prize—winning composer Wynton Marsalis gives us an invaluable guide to making excellent music–and to leading a excellent life.
    Writing from the road “between the bus ride, the sound check, and the gig,”

    Marsalis passes on wisdom gained from experience, addressed to a young musician coming up–and to any of us at any stage of life. He writes that having humility is a way to continue to grow, to listen, and to learn; th

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  • July31st

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    Jazz enjoys a universal popularity. This form of music emerged in the beginning of the 20th century in the African- American community of the United States of America. The repetitive patterns of call€™ and response€™ define the jazz music. The various types of rhythm patterns that are prevalent in the jazz music are reggae, blues and the swing patterns.

    A kind of musical assembly associated with the jazz music is known as the big band jazz music. This sort of ensemble can also be called as jazz band, jazz orchestra, jazz ensemble and dance band. However there is one primary difference between the big band jazz music and the other forms of jazz music. While the most of the jazz combos are highly improvised or and created spontaneously, the music that is played in the big bands jazz music is often arranged and prepared from before. In this form of music, the notations are notated on the sheet music in advance. Read More | Comments

  • July27th

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    Jazz guitar music is based on various guitarists’ attempts to experiment with the form used to express musical thoughts.

    Jazz started with the African slaves combining the song and dance forms they found in America with the musical traditions they carried with them from their homeland. Since then jazz musicians of every nationality have developed certain methods of taking a musical idiom and turning it into jazz by interpreting the music using jazz chord substitution and improvising techniques.

    The trademark of the jazz guitar player is that he is inventing new music all the time. When people learn to play musical instruments it is usually with the aim of playing the songs or instrumentals of a well-known musician. In jazz the aim is to build new music using other musical genres or the works of composers from outside jazz. A jazz guitarist with a number of years’ experience will have developed his own ways of improvising over a song or instrumental piece. Quite often his improvisation will be based on the techniques of using the notes in the chord he is playing to provide the material for his solo, or to simply use the notes he finds in the melody.

    Whichever approach the jazz guitar player uses he will always depart from the melodic structure of the musical work he is improvising over and use melodic figures or “licks” which he has made up or learned from other guitarists. A lick is a combination of notes which can be used in improvising over music in any key. A lick is like a very small tune or fraction of a melody. Listen carefully to a jazz guitar solo. Try imitating some of the licks that you hear. You do not need to play them exactly, just imitate them and see how they fit with other licks to carry the solo to its ending. Read More | Comments

  • July19th

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    Charlie ParkerEvery great jazz musician has, at one time or another, transcribed jazz solos from recordings. Since jazz is an art from that is aural in nature, it makes complete sense that listening and copying the improvisations of earlier jazz masters helps one become a more consistent and skilled jazz improviser.

    Transcribing a jazz solo involves the repetitive listening and notation of a recorded jazz solo. To get maximum benefit from the process, the person studying the solo through transcription should memorize and internalize every note and every inflection played by the improviser. “Transcribing” refers to the activity of notating on paper the exact notes and rhythms played by the improviser. Read More | Comments

  • July18th

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    Introduction to the JDSMethod of Singing

    The core goal of the JDS Method of Singing is to enable the singer to sing fully throughout their entire vocal range with power and control, and without strain. My approach is to show the singer the critical elements that control the voice, and to coordinate all these systems using the concept of the Balance Point.  The Balance Point represents the place where everything in your voice works in harmony. This includes the balance of the chest and head voice, the balance of air flow to vocal cord tension, the balance of the larynx within the throat, balance of resonance, etc. In this program, we will outline the five major systems that compose the human voice, give you exercises that will help you strengthen and coordinate them, and show you how you can gain mastery of them using the Balance Point. Read More | Comments