Cara LaGreen
  • Jazz Musician
  • August1st

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    DUANE SHINN

    AUTHOR:: DUANE SHINN

    Some of the greatest piano players in history became known for their proficiency in jazz. Technicality and a heavy reliance upon the ability of the musician to improvise makes jazz piano one of the hardest styles to learn. That does NOT mean, however, that it can’t be learned, but to get to the highest rungs a pianist must have lots of talent, a great ear, and the ability to improvise.

    The birth of jazz music in the early 1900s was a significant period in musical history. Many of those who are considered among the greatest jazz pianists of all times were pioneers of the genre during this period. Jazz evolved from musical styles that African slaves brought to America. Therefore, its inception can largely be attributed to the early African-American community. African-American pianists, such as Scott Joplin and Ernest Hogan, are considered to be among the fathers of ragtime music. Although the ragtime era only lasted a few years, it was a precursor to, and contemporary of, the jazz era.
  • July31st

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    To a Young Jazz Musician: Letters from the Road

    In To a Young Jazz Musician, the renowned jazz musician and Pulitzer Prize—winning composer Wynton Marsalis gives us an invaluable guide to making excellent music–and to leading a excellent life.
    Writing from the road “between the bus ride, the sound check, and the gig,”

    Marsalis passes on wisdom gained from experience, addressed to a young musician coming up–and to any of us at any stage of life. He writes that having humility is a way to continue to grow, to listen, and to learn; th

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    List Price: $ 12.95

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  • July19th

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    Charlie ParkerEvery great jazz musician has, at one time or another, transcribed jazz solos from recordings. Since jazz is an art from that is aural in nature, it makes complete sense that listening and copying the improvisations of earlier jazz masters helps one become a more consistent and skilled jazz improviser.

    Transcribing a jazz solo involves the repetitive listening and notation of a recorded jazz solo. To get maximum benefit from the process, the person studying the solo through transcription should memorize and internalize every note and every inflection played by the improviser. “Transcribing” refers to the activity of notating on paper the exact notes and rhythms played by the improviser. Read More | Comments

  • July16th

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    The Jazz Musician’s Guide to Creative Practicing

    The only book specifically designed to help jazz players organize their woodshed time so that practicing becomes fun and productive. This is done by showing the reader how to take big problems and break them down into manageable tasks, each one of which is easy to accomplish. Covers basic theory, soloing, comping, ear training, rhythm practice, tune analysis and much more!

    Rating: (out of 3 reviews)

    List Price: $ 29.00

    Price: $ 28.50

    To a Young Jazz Musician: Letters from the Road

    In To a Young Jazz Musician, the renowned jazz musician and Pulitzer Prize—winning composer Wynton Marsalis gives us an invaluable guide to making good music–and to leading a good life.
    Writing from the road “between the bus ride, the sound check, and the gig,”

    Marsalis passes on wisdom gained from experience, addressed to a young musician coming up–and to any of us at any stage of life. He writes that having humility is a way to continue to grow, to listen, and to learn; th

    Rating: (out of 1 reviews)

    List Price: $ 12.95

    Price:

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