Every great jazz musician has, at one time or another, transcribed jazz solos from recordings. Since jazz is an art from that is aural in nature, it makes complete sense that listening and copying the improvisations of earlier jazz masters helps one become a more consistent and skilled jazz improviser.

Transcribing a jazz solo involves the repetitive listening and notation of a recorded jazz solo. To get maximum benefit from the process, the person studying the solo through transcription should memorize and internalize every note and every inflection played by the improviser. “Transcribing” refers to the activity of notating on paper the exact notes and rhythms played by the improviser.

Evolving Technologies of Transcribing Jazz Solos

Charlie Parker could arguably be called the most influential jazz artist of the 20th century. His inventive jazz improvisations changed the face of jazz and ushered in one of the most exciting eras of jazz: the bebop era.

Charlie Parker was born with a huge amount of natural talent, but that does not mean Charlie never worked hard at his honing his craft. History reveals that Charlie spent almost a year early on in his music career memorizing – note by note – the jazz solos of Lester Young from 78 RPM recordings.

Before jazz became widely available on 78 RPM recordings, musicians relied on listening and learning in “real time”. The only way to learn jazz improvisation in the early days of jazz was to listen to live musicians and pick up what you could from what they played. Once played however, the music was gone forever. Read More | Comments